symbionese liberation army (sla) screeds #13,16,20 & 29 sharon hayes
sharon hayes’ piece, ‘symbionese liberation army (sla) screeds #13, 16, 20 & 29’, consists of nearly 200 dubbed vhs tapes stacked in an installation. the viewer is invited to take a tape home in order to view hayes reciting the speeches patty hearst made to her parents via television when she had been converted to the sla. each time hayes misspeaks, her audience corrects her and she continues

you always move in reverse jason dodge
1kg silver bullion thrown through a window into an exhibition space; the silver and glass are left as they land, and the window is repaired with tape

went to america and didn't say a word giorgio sadotti

on the morning of saturday march 20 1999 I flew on american airlines from london heathrow to new york's john f. kennedy airport. I was ‘wired’ for sound and upon arrival switched on my recorder. I stayed overnight at a hotel on lexington and 21st and flew back to london the following evening – whilst in america I didn't say a word, but all my waking hours were recorded

tit vs architecture (ronchamp, le corbusier) luc wassmann

wherever, whatever lasse schmidt hansen

sometimes blillie is all that holds me together dario robleto

in this body of work robleto would typically find an item of clothing or buy it from a thrift store from which a button was missing. he would remove another button, create a mold from it, recreate it from vinyl from melted records, and then sew the buttons (one actual, one remade) back on the item and return it to where he found it. because robleto strongly identifies with singers such as patsy cline or billie holiday, he would often pay tribute to them by using their recordings to melt down or carve in this work.